Mito Komon(Drama)

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Game:Mito koumon

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Reviews' statics

Drama total pnts rank=Avg. x Eval. num	Rank 62/in 1,090 titles (Total 20.90)	Rank 61 <= => Rank 63
Drama avg pnts rank(minimum:10 evals)	Rank 111/in 206 titles (Average 0.38(Good))	Rank 110 <= => Rank 112
Drama total pnts rank of 1969	Rank 1/in 6 titles	=> Rank 2

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(DVD)

Goods from Japan

Goods from USA

Latest DVD: 2007/10/20 ():
まんが水戸黄門 DVD-BOX 其の参 \18,900

DVD(44hit) Sales/Latest	VHS(18hit) Sales/Latest	Books(125hit) Sales/Latest	Music(23hit) Sales/Latest	VideoGames(4hit) Sales/Latest
Rank:4298 VHS:水戸黄門（1960） [VHS] Tag:\5,250 1995/10/21 () Eval.:*****	Rank:11302 ビデオ:水戸黄門第三部シリーズBOX [VHS] Tag:\34,650 2004/06/12 () Eval.:*****	Rank:8030 大型本:磯山さやか写真集『郡上に行ってきました。』(DVD付) Tag:\3,150 2008/10/22 () Eval.:*****	Rank:18423 CD:水戸黄門 Tag:\4,200 2008/01/23 () Eval.:*****	Rank:4584 Video Game:ぱちんこ水戸黄門パチってちょんまげ達人9 Tag:\5,880 2005/10/27 () Eval.:*****

Books Sales/Latest
Unknown Binding:Mito Komon no shokutaku: Genroku no shoku jijo (Chuko shinsho) (Japanese Edition) 1992 ()	Unknown Binding:Mito Komon no sekai: Aru sensei kunshu no senrei na pafomansu (Japanese Edition) 1995 ()

Information about this title

TBS TOEI
Akiko Hamura Yasu Kato Ichiro Miyakawa Igami Masaru Yasuhiro Sakurai Nobuyuki Onishi Satoru Okamoto Kunio fujii
Tetsuya Yamanouchi Taishi Arai Kokichi Uchide Kiyomi Yada Yasuharu Inoue Yuji Takakura Kon Ichikawa
Chuji Kinoshita
Michio Yamagami Kazuo Funaki Yukio Hashi Teruhiko Saigo
Eijiro Touno
Ko Nishimura
Asao Sano
Kouji Ishizaka
Kotaro satomi

[Detail]

Ryotaro Sugi
Teruhiko Aoi
Yuji Kishimoto
Ryuji Harada
Tadashi Yokouchi
Sinya Oowada
Goro Ibuki
Jundai Yamada
Masashi Goda
Ichiro Nakatani Takashi Naito
Yumi Iwai GENTAROH TAKAHASHI
Izumi Yamaguchi Jyunko Miyazono Hiromi Murachi
Kaoru Yumi Mitsuo Senda
Masaki Nomura Croke
Shoei Akira Saito Kaneko Iwasaki Toyokazu Minami
Kei Sato Shun Oide Tosei Ishida
Yasushi Nagata
Ryutaro Otomo Hideo Takamatsu Tetsuro Tanba
Isao Yamagata Jun Hashizume Hideaki Nagai
Toru Takeuchi Shingo Kiyokawa Shinjiro Ehara
Kenkichi Hamahata Tetsuo Hasegawa Tsutsumidaijiro
Mariko Kaga Asuka Shimizu Yurika Kodama Aya Ogami
Makiya Yamaguchi Erika Mabuchi
Tuyuguthi Sigeru Keiko Yumi
Kantaro Suga
Mikio Narita Seiya Nakano
EIJI GOH Fukae Shoki
Bin Amatsu HIROHISA NAKATA
Tadao Nakamaru Jukei Fujioka Kusuo Kita Rei Maki Mizuho Suzuki
Akio Tanaka YOSHIROU AOKI Yukio NINAGAWA Ryunosuke Kaneda
Kouichi Miura Noriko Shirasaka Taki Ninda KishidaShin
Shoji Oki Sinya Ono Sotaro Ibuki Uchida Katsumasa Noboru Nakaya
Miru Hitotsuyanagi Masashi Ishihara Gorou Mutsumi Isao Tamagawa Akira Hamada Koichi Uenoyama Masaharu Ichimura Mie KIN OHMAE
Kawai Nobuo Reiko Nakamura
Shouhei Yamamoto Masaru Shiga Kyoichi Sato JUN-ICHI TAKAGI Jiro Miyaguchi Ashikawa Yoshimi
Ryuji Sawa Seiichiro Kameishi
Tatsuo Endo Fumina Hara Wataru Shihodo
KEI TAGUCHI Tsutomu Isobe Ryo Nishida Ozawa Zou Koji Moritsugu
Akutagawatakayuki
Shintaro Sugiyama
Shibata Hidekatsu
Shiro Suzuki

Japan Released:1969/08/04(Mon)
Japan Released:2009/07/27(Mon) 20:00- TBS "Mito Komon Season 40"

Official sites
1. http://www.tbs.co.jp/mito/ (Translation)
2. http://komonsan.on.arena.ne.jp/ (Translation)

Statics of evaluation(The statics is updated once a day)

	Average	DramaRank	Deviation(Total)	Evaluation points(Total)	Best of the Best
Inside Japan	Good(0.38)	62	60.83	20.90	1
Outside Japan	Good(0.00)	12	25.74	0.00

Statics of activity

	Total Views	Comment	Evaluation
Inside Japan	25,680	75	55
Outside Japan	2,305	1	1

How others evaluated in Japan

Best

Very Good

Good

Normal

Bad

Very Bad

Worst

People

Percentage

3.6%

7.3%

38.2%

36.4%

9.1%

0.0%

5.5%

Added percentage

3.6%

10.9%

49.1%

85.5%

94.6%

100%

Summary

49.1%

36.4%

14.6%

Views for recent 8 days
Total 4 3 2 1 30 29 28 27
20 0 5 5 3 4 3 0 0

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Japanese Good
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Language	Sorted by date	Sorted by recommendation
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Japanese	Good (Only Evaluation)	Normal (Only Evaluation)	Bad (Only Evaluation)	All (Only Evaluation)	All

2005/05/28 Normal [Edit/Delete/Suggest to delete/Only this reviewer/Only this review/post sympathy comment/]
by TAKARAYA (Send message) Review history[Good:78(58%) Normal:57(42%) Bad:0(0%)] / Provider: 34674 Host:34625 Browser: 3646
This seems to be the historical drama which is the most popular in Japan.
This historical drama is very famous.
And, this historical drama is tedious.
However, such a drama might suit a general Japanese.
I think that this historical drama continues for a long time.

The below reviews are translated automatically from Japanese ones. To post to English version, please click here.

2009/06/14 Best! [Original Japanese review]
by Makuteianan (Send message) Provider: 29382 Host:29416 Browser: 6792(Mobile)
"The fort of the TV historical play last" It was written in the newspaper at the time of a new series start.
Although not looked Although he likes this drama as it thinks "it is the peak of TV drama in the world", does it become still interesting [ from 20 part neighborhood ] less?
For me, saw is 15 parts in re-broadcast to the beginning.
From Heike's fleeing soldier's talk.
Is having begun to take to it truly from part X?
There is also the cause.
Does he like first 御老公:Higashino Jiro Hanabusa?
Next, touch called Akira Nishimura.
It can be said that the presence of 忍 and others called 3 Genta of 弥 7 of a windmill, mayfly silver, Tsuge's 飛猿, Matahei of smoke, 翔 of Nabari, and 薪梟 of a haze was also overwhelming, and a success of this drama was not possible without their charm.
Furthermore, what it does not come to forget in a historical play of Japan is the villain's actors.
Makoto Sato who performed the Amatsu 敏, and 月心 which performed the strongest assassin and the Tetsura 漢玄竜 in part V.
With the role of bad deputy officials, such as 菅貫太郎, and 戸浦 6 宏, Seiichiro etc.
Kameishi, and also the boss of 10 stocks, great actors, such as 汐路章, Akifumi Inoue, Saburo Date, Fujioka Chongqing, and 牧冬吉, were starring.
Although this series is the oldest and being looked to part V, is even 15 part time the golden age in a story side?
In this neighborhood, some also have the talk recorded on videotape to DVD.
Henceforth [ it ], it is a thing like a free variety program rather than a drama.
Leaving the mound of Takayuki Akutagawa of narration was also painful.
The episode which I like in this series is "怪 -Shimonoseki of a phantom ship -" of part V.
five parts -- setting -- the talk [ Hideyasu otherwise ] -- being certain (as [ excel / phantom ship - / in the story ]) -- it is -- although -- this episode of the thing with the most thrilling (also including B 級っぽさ) pleasure as 娯楽作 is first Since the Tetsura 漢玄竜, and an uncanny pirate and 月心 are assembling in full force anyway.
It must be interesting.
When or when it re-broadcasts, do I want men all over the country to look at them, although five parts have few opportunities of viewing and listening, since DVD is not released?
Probably, it will be certain that the view to Mito Komon changes.

2009/02/07 Normal [Original Japanese review]
by 杉田グループ (Send message) Provider: 28910 Host:29007 Browser: 3874

[Good point]
Is it a drama required of the meaning which punishes a bad fellow?
& lt; the style which gives hope to unhappy good person > and which is not bad.

[Bad point]
The talk is too one-track.
rather than -- there is no force さ Therefore, it will 飽き bored if it is continuing.

[Comprehensive evaluation]
It is mannerism always.
although it is interesting, it is easy to あき bored ...
た [ see and ] -- true -- the drama of a normal

2009/02/03 Normal [Original Japanese review]
by Yousuke (Send message) Provider: 2442 Host:2328 Browser: 4926

[Good point]
Poetic justice.
In a historical play, it is a conscience-work.
The rank of assistant さん of Mr.
Komon of Mr.
Eijiro Tono and Mr.
Kotaro Satomi and Mr.
Tadashi Yokouchi is the highest.

[Bad point]
Mannerism said well.
Mr.
Komon other than the three above-mentioned person, assistant さん, and the rank are not quite satisfactory.

[Comprehensive evaluation]
Although it is mannerism, it is the wonderful historical play by which weariness does not come.
Although Mr.
Komon of Mr.
Tono is tyrannical, there is nothing in slight somewhere hatefulness.
The words "it is good since it said that わしが was good" are liked individually.

2009/01/21 Good [Original Japanese review]
by 世死見 (Send message) Provider: 29910 Host:29889 Browser: 8090
Since the grandfather grandmother is surely watching this program if it goes home, the present present condition is that he also concludes that it is natural.
Since it is re-broadcast, although someone does not understand a player, Mito Komon who is looking now can enjoy himself very well.
Although Mito Komon of the newest version viewed and listened only to one talk, since he did not like the production of the image of that hand, it did not suit itself somehow.
It comes out, and although it is Mito Komon of re-broadcast, it is sometimes seldom thought that it is one-track.
If the talk is explained roughly, a bad man is judged and the last has a sword fight in almost all talks.
Although such talks are broadcast each time, the last production etc.
differs.
There was also townspeople's [ be / just like that of an offering / it ] talk frequently, and the talk of stubborn 爺 / be / just like that of the Mitsukuni public / it ] was individually interesting.
that a bad man causes useless resistance on the scene of the last たり -- etc.
-- it is touch are various Since a time background of those days something is also known well, customs etc.
are memorized, and it becomes knowledge although it is some.
If it is just called a historical play of Japan, I will think that this drama is shown.
Although it is a drama for old men, can't a normal see by the younger age group like itself, either?
Although it is the contents which we cannot recommend to the direction bored in a stereotyped way, if it sees in a light feeling, I will think whether it is happy.

2008/12/27 Very good [Original Japanese review]
by Metako (Send message) Provider: 18003 Host:17729 Browser: 2058

[Above sentence home for the aged]
If the evening comes, "Mito Komon" will start on television automatically.
Nature of the spectacle.
A lack [ sense of incongruity ].
A diagram called the "Mito Komon" = old person's program realizes saying how it is natural.

[the premise of the drama for families]
-- "family who is the concept in evaluating by being the historical play made as a "national familiar theater" -- probably, drama" which can be enjoyed all together should be borne in mind I want to advance evaluation, taking the hit into consideration.

[The main point of a tale and exquisite character arrangement]
The talk which obtained the idea from the anecdote of having traveled in the Japan whole country on foot in process in which Mitsukuni Mito edits "large Japanese history" is the basic form of this work.
That the man of power who was rich in 善性 added the element of the poetic justice of helping and turning around the people troubled by a vice deputy official and the merchant, and regarded it as the trip of a social reform suits the diagram which is easy to carry out a people receptacle of "giving 天誅 to the politician smeared with wrong", it waits, and I think that the very skillful format was made.
a sword fight peculiar to a historical play -- Mito Komon -- the man is not made to do but diversity is given to him by arranging the character which makes Mr.
assistant さん格 who is close attendants imagine ninjas, such as faking, and an arrow 7 and silver of a windmill It is an additional profit although there is also the side as sex appeal charge which is having obtained bitter taste toresu called Kaoru Yumi, and "family" Turn about silver.

[The violence eliminated and catharsis of an inversion]
Being thought as important especially in Mito Komon is the point referred to as "Not showing 人死に as much as possible", and the structure which eliminated violence nature as much as possible does not have the Bure ること, and is put into practice.
Even if a bad man comes out, there is little direct violence and most sword plays are not seen.
(Does assistant さん峰打ち?) It is thought that such styles which eliminated violence nature as much as possible are sometimes connected with the little of a stimulus.
To the children familiar to present animation and present comics, it may be unsatisfactory.
Although it is this work which can be taken even if it has eliminated the fun of the historical play of "knocking down a bad man merciless", I think that the charm of poetic justice is collected by the scene of the last to which hold up a pillbox and make a bad man throw oneself at whose feet.
since the presence as authority increases just because Mito Komon does not give a direct hand, it drops off, and is it しょ in the scene?
Though violence is eliminated as much as possible, I think that Mito Komon would not be supported because the making a setting succeeded.

[Difficulty of the image fixed and a change]
The player who played Mito Komon begins from Higashino Jiro Hanabusa, and changes henceforth with Akira Nishimura -> Sano 浅夫 -> Kouji Ishizaka -> Koutarou Satomi.
When it is the first stage which Higashino Jiro Hanabusa performed, the timing and 人死 which take out a pillbox are resembled, therefore it does not put into practice, but is established gradually.
And when taken over to Akira Nishimura, the format was completed in general.
Not a little critical voice had also already gone up from the time as a stereotyped symbol.
It is Kouji Ishizaka's participation that it changed sharply, and it sweeps away a setup of the members of a regular including Mr.
assistant さん格.
However, having changed the style which continued though criticism with mannerism was received gave the impression which hurt the merit which it not only caused deviation with the already established image, but it had from the first with complexity.
In addition, there is also leaving the mound by Kouji Ishizaka's illness, and there is admiration which has made the demerit of making it change conversely throw into relief.
I consider to such a wind which was late for changing for five years.

[Evaluation]
Although it is the work which still continues, in the point, a style does not change sharply in a concept after this.
a concept called the thing and for families -- going -- づいている -- like is thought [ which this work aimed at from the beginning ] Expressing respect to such "great mannerism", my evaluation is "very good." Then, although there is quite a few criticism on account of [ which is ] length and they will not disappear from this, either, I do not change to "Mito Komon" as a Utopia for which Japanese people ask earnestly forever, but want him for there to be.

2008/04/26 Normal [Original Japanese review]
by 石鯉 (Send message) Provider: 31011 Host:31168 Browser: 8090
They are comment with honest although old Mito Komon liked it saying that the latest it is not pleased.
Although it was one-track to be sure, it was thrilling, and since the portion of a sword fight is also very powerful and was seen and enjoyed, the place which finally punishes a bad man did not become mind so much about one-track.
An appearance of the person who was otherwise able to enjoy very much the human drama (it sometimes exists also at 人死) developed by appearance in the work, and knows fake Komon appearance and Mito Komon (fighting might end, before taking out a pillbox by appearance of the person), The device it is made not to turn completely into mannerism, such as a talk that fighting does not exist, was also seen, and I can think that the level as a work was by no means low in it being as that the talk about the intrigue by the human being of a government may call it several-stories 続くたり.
But, these are comment which it has had to Mito Komon of saw ancient times by re-broadcast etc.
until it got tired, and the impression over the latest it is not good as above-mentioned.
although it is not regarding as questionable especially since it is having been from ancient times about change of a player, some characters change to another person -- てい (although it is the cause by which it became like this that the image of the direction which was being performed was too strong) -- it was not accepted in me -- it carried out, and as the force of a sword fight had also fallen compared with ancient times, I was able to consider Although it had become a beautiful and skillful thing from old it also about change of the quality of an image, since I myself thought that the atmosphere of an old time was felt and the direction of the image which whose ancient times are old and has darkness was suitable for the historical play, it could not but be change which is not pleased most.
In order to call it a bad impression to present Mito Komon to old Mito Komon as above-mentioned although it is a good impression when it collects [ make / have you / it ] at the end, plus-or-minus evaluation is a "normal."

2008/04/26 Normal [Original Japanese review]
by 怪刀迅 (Send message) Provider: 46914 Host:46869 Browser: 4653
Since this has the the same pattern each time, does it last long conversely?
When free, is it the drama of the touch to see?
As [ get / if all are seen / ...
/ tired ]

2007/11/09 Normal [Original Japanese review]
by Fuai (Send message) Provider: 15333 Host:15376 Browser: 4526
They are ancient times and the work which now changes evaluation.
Present Mito Komon seems to have lost か迫力 called what.
Mr.
[ Komon / itself ] stopped also fighting -- carrying out -- the power of a pillbox -- holding down -- passing -- it is .
The merit [ a sword fight ] of a motion is compared and れ is quite obvious.
If now and ancient times are added, it will become common exactly.

2007/11/08 Normal [Original Japanese review]
by Kuromuueru (Send message) Provider: 12661 Host:12539 Browser: 3035(Mobile)
A drama one-track so far is also new.
まぁ -- although that will be a popular reason

2007/10/14 Worst [Original Japanese review]
by Sharu (Send message) Provider: 1407 Host:1252 Browser: 5598
Although seen on what talk or television, there is an impression to which every talk is too one-track and deployment can seldom enjoy it.
Although fighting with an enemy is powerful as it is, subsequent deployment was decided generally and lacks in 面白み.
し [ it is looking somehow and there is also a formal impression ] ...
Moreover, although it can see, since the efforts which are going to change the model of a work do not change mostly basic elements, such as story composition and a view of the world, with before, renewal of people of the cast etc.
can seldom feel freshness, but they are sorry about it.
Therefore, does formal touch receive a continuing impression as usual?
し [ it can also see a tsukkomi place very well ] ...
Evaluation is made into the "worst" in order to think that the pattern of the talk is the work which seldom almost feels 面白み even if it is alike and is looking.

2007/08/10 Worst [Original Japanese review]
by 捲追911 (Send message) Provider: 12532 Host:12383 Browser: 5715
A result [ although are taken in, viewed and listened to the 2nd generation advertisement of 弥 7 of a windmill, and it had not been having a not much good impression in the Satomi version for some time individually, it sees the contents of 37 parts and must have been disappointed anew ].
It considers [ be / allowed to た / I ] as 1 rank 落 from former "it being very bad" at the "worst." If attached to the end of this work being called mannerism, there is also no 今さら言うつもり, and a clear-cut solution is given to the thing with the thing with which most is hardened on the promise in the historical play etc.
However, by neta of episode turning extremely narrow up, although structure in which breadth is in a story and neta until it results in an end at the time of a previous work, and a feeling of mannerism is not impressed with it being wonderful was completed even if it was with the work the end is in sight, if it puts on the Satomi version, since there are no contents of the talk pleasantly, even when it is disagreeable, it will be felt tedious.
Although I feel that the idea which carries out structure from which the direction of the work side for such a notable work should say that some are model, or should serve as a model of the man in Japan completely although it is such a high work that it can say that Mito Komon's notability is already national is traveling unawares, though this style well-mannered poor is regrettable, it is the petty thing of 味気 which is not.
It is especially unattractive in the kyara knowledge of the Masahito Mr.
child of only the appearances of the Satomi 黄門.
If allowed to say by comparison with the person who played all the past Mr.
Komon even if it tells it a Masahito Mr.
child's kyara knowledge, in respect of the width or dignity of the bosom which are held in an inside, the Satomi 黄門 will not attain to the Nishimura 黄門 at all in respect of charm in respect of the humanity which was full of Higashino Komon at the expression of joy, anger, humor and pathos.
Moreover, Mr.
Komon whom all the past men have played can also regard that it looks [ which lacked in dignity to having had noble dignity in somewhere when it was the case of the Satomi 黄門 ] truly only to retirement of a mere end as how it is, though considered as mere retirement about the figure which can be put on a usual journey to be sure.
Or [ the thing with which a lack / that dignity / does not become somehow since it is a vice-general under the sun even for a time, although it can take also with kyara which is very easy to be familiar if a view is changed ].
If allowed to say to one more foreword, the scene of the present series which takes out the pillbox which is an important highlight will also be unimpressive.
Although the purpose of a trip was shown in it and former series in the clear form where it goes to save the han which granted the wish of the messenger who came in quest of help at the beginning from other hans, and has lapsed into the crisis, since there is no clear purpose which comes from the beginning to a trip, it does not rise from the beginning in story in the present series.
It is unavoidable to think that it is made from omission or inertia, if such structure can be shown truly, although it does not know from when a scenario really come to be advanced in the present form.
Although shiriasu was fully able to be enjoyed also by the minimum only by fighting with the assassin who obstructs the Komon party's whereabouts at the time of the journey of going even if 本作 was called stereotyped lump, such deployment cannot be desired from the present series じゃ beginning, either, and 面白味 is missing.
But is the first fault exhausted to the dullness of a scenario and production in each episode?
Although it does not know whether a strange prejudice of "the thing which Mr.
爺 and Mr.
婆 see" in when to a historical play was established in the world, is that calling it the structure which considers an old person although the reason primarily said in public although it goes by carrying out is not known in the least, either lowers the quality of a work reason made in the direction few [ of a stimulus ] somehow in consideration of an old person?
.
the straitness of the width of neta stated to the place without such ups and downs which is with a birthmark suitably and can do only exclusive support for a human-nature story in the first direction can be grasped -- carrying out -- a previous work -- as an amusement work, it is disqualification clearly because can completely do with the Satomi version and there is no portion of the broad entertainer who had done at the time of series さ and a lack [ a device ] are looking at running fire of the production on which the Satomi version is conspicuous anyhow in omission and a birthmark on the whole, it is historical play made it and structure does not cut and which permeated puerilely, and are uneasy.
however, the place where the fearful place of the Satomi version passes it automatically also in the scene which seems to be clearly unnatural and amusing -- 摩訶 of the Satomi version -- is it a wonderful place?
It will be rightly struck, if it is other works.
Although it was 弥 7 of the 2nd generation windmill when calling it the signboard of it and 37 parts, I carry out [ mind so that there may be no treatment within a play not much well ] somehow.
It is ねぇ although it is revival of signboard kyara of 折角.
Under [ it treats 所詮 from 娟 of blast of wind ] (bitter smile).
If it collects at the end and any masterpieces will apologize for time to quit after all, I will think showing [ this work ]-by the present progressive form-encountering miserable eye kana.
if surely it sees synthetically also including the series of a previous work, although it may not reach the worst -- still -- individual -- a previous work -- the image of the minus to the Satomi version is so strong that an added part of series is unsuppliable -- although it carried out and thought to it that the series minimum was "mayfly 忍法帳" of a supplementary biography with it being individual, it was so ugly that it could consider below the supplementary biography when seeing this Satomi version Furthermore, if it says, even if it will say by comparison not only with old series but other historical play works, I think that the present Satomi version is only a work with the bad result.
Evaluation is the "worst" merciless.

2007/08/05 Good [Original Japanese review]
by Kaname (Send message) Provider: 16388 Host:16316 Browser: 4184
Although I hardly see, if it sees occasionally, I will think that it is a very interesting work.
Is it a mannerism work also often and bad?
Therefore, it sees in comfort.
about 8:45 -- surely -- Mitsukuni -- 公出 -- て -- carrying out (^^;) -- I think that it is not an overstatement even if it calls it the masterpiece of the historical play in Japan.
Therefore, I think that the popularity which does not change although the player changed until now is there.
Although !
to surely see every week is seldom thought, if it sees occasionally as said at first, I will feel [ that the charm of a work was different ] that it understands from a place.
Although it is said that a mannerism work is not interesting in recent years, is this work interesting and do I want it to continue?
Don't you become excessive evaluation and become precocious?
-- If it says from a conclusion, is it "drama which does not need to be seen every week although it is interesting" って touch?
Calling it --, evaluation is "good."

2007/08/04 Good [Original Japanese review]
by Rota (Send message) Provider: 18003 Host:17790 Browser: 4660
Time loss was carried out!
a time -- たま何 -- seeing -- a program -- there is nothing -- the time -- somehow -- seeing -- てい -- even if -- "-- あ- this -- I have seldom thought " As [ stencil / so that the members of the villain may ワru - be and he can be enjoyed to performance / rather, / -- / once it began to see ] The scenery which has in Japan an imprinting effect like the sense of security and drug which do not change whenever it may see which Japan's strongest golden rule setup in the history of a television historical play has, and has natural "Mito Komon" was made.
Is it close to the air which already wraps whole Japan entirely?
There was a time to which the Yoshimoto entertainer besides Hanako Yamada is coming for the guest by recently ?.
although it thought for a moment "Yoshimoto's 魔手 is ?
to such a place" -- upper part beta of "花月", and Komon -- beta [ like ] has accomplished betabeta korabo splendidly and had become the pleasant humanity drama which invites [ why ] laughter also compared with when why Is the process of a scenario and production etc.
worried?
tsukkomi しっ loan あった also of zukkoke and the dotage was carried out.
Were they joint work?
Well -- Even if it will become 1 time of a time-tested product at one year, it is [ whether it is also ike る or ] ?
(brainwashed やすっ) unexpectedly.
It was 照英 to have cut [ which does not have sense of incongruity from the time of a first appearance with a newcomer member ].
(others -- there is also that a face is not memorized) it does [ have / た / you / I ] its best forever by action which stretched the body

2007/08/01 Good [Original Japanese review]
by 哭鳴 (Send message) Provider: 48622 Host:48438 Browser: 8090
Although it is one-track, I think it charm that weariness does not come so much.
I think that it will have a kind of entertainment nature fundamentally different from Mitsukuni Tokugawa known for compilation of large Japanese history etc.
individual -- Mr.
the third generation and Sano 浅夫 -- per -- up to -- he liked It was good for Teruhiko Saigou Mr.
演じる助さん and Mr.
Goro Ibuki Mr.
演じる格 to be very dignified especially.
But it is although it is the body to which it viewed and listened by re-broadcast -- 弥 7 of a windmill is too smart.
It is past [ Ichiro Nakatani Mr.
shibu ].
Although Mr.
Naito is performing now -- Although it is very glad that 弥七 appeared again, an image called Mr.
弥 7= Nakatani does not get used too yet in the cause [ being strong ].
まぁ -- I think that it gets used soon

2007/07/21 Normal [Original Japanese review]
by 消しゴム (Send message) Provider: 50084 Host:50076 Browser: 5234
While the destination is decided in relation to a guest and going and coming back to Edo and the destination, a bad man is seen, and if it says well, I will think it the reason which continued for a long time that they were the "royal road", the work side which will be called "formula" if it says bad, and the safe contents which hit and do not have a blank for a televiewer for which it is punished.
The Kouji Ishizaka version remained especially in the impression.
An old technique was not used for the Ishizaka era, but although it was the contents which were conscious of the historical fact, it has returned to the original technique in the middle of the place sake where a televiewer's reaction is bad.
It not only proved that the pattern made to finish with a pillbox called it "Mito Komon", but failure of the Ishizaka era punishes a bad man and inertia came to become invisible from time to time from the work after it.
Although it was common [ evaluation / near "being bad" / "common" ], the more the cast changed, the more it also worried that the dignity of a work was lost.

2007/06/26 Good [Original Japanese review]
by Y I (Send message) Provider: 23083 Host:23327 Browser: 4184
The historical play currently probably done from grade 30 years or more before I am born.
Since ancient times' are doing by re-broadcast recently, it is looking occasionally.
Does one-track deployment continue [ the direction of others ] by typical poetic justice as 仰る?
For this, the works with which a feeling of mannerism drifts are a few exceptions, although there is no usually not much good impression.
Rather, I think that a feeling of mannerism is working to plus in the case of this work.
However, the direction of the picture it was ruined for a while from the clear picture regards a historical play of this sort as atmosphere having come out with it being individual.
Was [ have / a feeling of strain / the direction of the old series which the pro group of battles, such as a person of Yagyu's hand and a ninja of a southern barbarian, has attacked frequently how much although it is a formula in it and ] it interesting?
Evaluation presupposes "It is good." even so, this time -- replacing -- a vice merchant and a bad deputy official -- overflowing -- て ...
(Reality may also meet)

2007/06/25 Good [Original Japanese review]
by Meteo (Send message) Provider: 40410 Host:40423 Browser: 3162
It is interesting to ?
mannerism past る's which will be why.
Finally, even if Mr.
Komon regards as a pillbox or ざす how many times in time etc., he does not 飽き bored.
He likes a theme song very.
Although it thought "ざ in a pillbox from the start at the time of a schoolchild", recently came and the merit of this mannerism was found.

2007/04/30 Comment(normal) [Original Japanese review]
by せんchan (Send message) Provider: 25292 Host:25057 Browser: 5234
Now, new Mito Komon part IX (it is not the 37th part of Mito Komon positively) is seen.
the old player who gets a historical play although it is unavoidable by the flow at the time -- たち -- it will pass away and will not surely be as good as ancient times' Does it seem that the audience rating has fallen too?
it was the same as Doraemon in 2005, and was renewed from 2001 (it is not the 29th part but new Mito Komon part I!) -- it is -- since -- I want you to divide a thread henceforth it or before If 弥 7 of what and a windmill revives from the 11th time It is said that Takashi Naitou performs.

2007/04/17 Very good [Original Japanese review]
by ELT (Send message) Provider: 18810 Host:18907 Browser: 6287
Is it famous for reality actually differing from a drama considerably -- It is sushi as not west said once in life from Kamakura -- Mr.
Komon Does he like the founder and Mr.
Komon of three generation!!
Since the number of my generations is the third, familiarity is in him!!
The founder could not be overemphasized!!
That is Mr.
Komon!!!
However, or [ that it is the 4th generation ] -- Beardless Mito Komon -- Has that kept away from Mito Komon since then which was not accepted honestly -- Although seen recently, is the talk complicated for a while unlike ancient times?
Touch that the trap of double and Mie is stretched -- Since it only punishes [ there are townspeople who are in trouble in ancient times etc., and ] the bad deputy official who is the cause and finishes -- Does 8 soldier 衛 like me carelessly with the main not three persons but silver, 飛猿, and 弥 7?
Silver is seen in what and is felt refreshed.
The scene of after and a bath is also interesting.
It is existence indispensable to this series any longer!!
飛猿 is looking and is smart.
弥 7 surprised by that 怪力 was charmed by that windmill!!
It was quite shocking when it passed away -- Is 8 soldier 衛 interesting rather than !!
which is looking and is softened somehow!!
Is still it??
it is the drama which can be enjoyed just because it is mannerism -- since ??
man is not killed indiscriminately, it can see fairly comfortably -- having

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